Category: Practical advice and DIY

Clear, practical advice to support confident decision-making, DIY projects and owner-builders while avoiding common design and construction mistakes.

  • Hands-on with Hempcrete

    Hands-on with Hempcrete

    Last Friday, I had the opportunity to dive back into the world of hempcrete at a hands-on Hemp Building Practical Workshop near Cressy, Tasmania. Hosted by The Hemp Masonry Company at X-Hemp, it was a fantastic opportunity to reconnect with this incredible material—not just as a designer, but by getting my hands dirty, feeling the mix.

    Having designed buildings with hempcrete before, I know its benefits in theory. However, there is something about actually working with it that brings a deeper appreciation. The process, the texture, the way it sets—it all makes you realise just how special this material is. This was not my first time mixing hempcrete; revisiting the hands-on experience was incredibly rewarding. It reinforced why I believe in this material so much.

    Me temping hempcrete into the wall on a sunny Tasmanian day.

    Me temping hempcrete into the wall on a sunny Tasmanian day.

    A Growing Industry, A Local Opportunity

    The hempcrete industry is growing rapidly in Australia, and we are lucky to have it here in Tasmania. Hempcrete is an amazing, natural building material with huge potential for sustainable, energy-efficient construction. Over the past decade, The Hemp Masonry Company has worked on over 240 residential projects and even some major commercial builds, like the refurbishment of UTAS’s Forestry Building. Seeing hempcrete gain traction here is exciting—it is a step towards a more sustainable building future.

    As Andy Lucas, the Managing Director of X-Hemp, told us during a presentation in front of school kids, this is both a new and old industry. Hemp has been used for centuries in various forms, and now it is making a well-deserved comeback as people seek healthier, more sustainable ways to build.

    The Workshop Experience

    This workshop was not just about watching—it was about doing. We mixed hempcrete ourselves, learning the right balance of hemp hurd, water, lime, and sand. There is a simple joy in testing the mix, squeezing it into a ball to see if it holds together. The process of layering it into formwork, tamping it down, and understanding the best way to build up a strong, well-insulated wall really brought home the craft of it.

    One of the most exciting moments was revealing the finished wall by taking the formwork off. There is always a moment of suspense, wondering how the texture and structure have come together. Seeing the hempcrete take shape, solid yet organic, was truly satisfying.

    One of the coolest parts was experimenting with oxide pigments to colour sections of the wall. The result? A stunning, textured piece that reminded me of a Rothko painting. Who knew hempcrete could be art?

    Why You Should Try It

    If you are a builder, architect, or even just someone interested in sustainable building, I cannot recommend this workshop enough. It is one thing to read about hempcrete, but getting hands-on makes all the difference. Plus, for professionals, it counts towards CPD points.

    If you are curious to learn more or want to get involved in a future workshop, I highly encourage you to reach out to The Hemp Masonry Company at hempmasonry.com.au. This is an industry that’s growing, and now is a great time to be part of it.

    For me, this experience just reinforced why I love working with hempcrete—it is sustainable, practical, and just a joy to build with. And if you ever get the chance to try it yourself, take it—you will not regret it!

    You can also read our blog about working with hempcrete: Hemp: Houses that breathe so you can too

  • No rest for the ‘wicking’ with these beds

    No rest for the ‘wicking’ with these beds

    What does an old tank and a recycled fence have to do with growing your own food? A lot! If you are interested in doing more with less and saving water that is.

    We spent the recent Recreation Day long weekend making several wicking beds for one of our favourite ‘clients’, Aunty Trish. Trish is renting her home but wanted to get more our of her garden. So we designed a plan featuring containerised plants that could be transported if and when Trish has to move out of that home.

    The heroes of this plan are definitely the wicking beds we made, using two recycled food grade intermediate bulk container (IBC) tanks and several sections of the property’s fence that Trish had salvaged when the landlord replaced it. Trish was keen to grow her own food but wanted a fairly low maintenance set up. The wicking beds have a water reservoir at their base meaning less need to water on a regular basis.

    TIP: You still need to water in plants at establishment to ensure that the soil profile is wet right through and to enable water to move up into the soil profile from the water reservoir.

    Step-by-step illustration showing how two IBC tanks and old fences can be turned into four wicking beds and a bench—no rest for your gardening ambitions—with labelled diagrams detailing each construction stage from tanks to finished planters.
    A garden design plan with labelled proposed features, including gardening beds, compost bins, and trees. Side images show a water tank, wicking beds, a watering diagramme, and two potted olive trees. Plant list and notes are included.

    As well as the IBC tanks and recycled fence palings, we used a premium veggie mix from a local supplier as our soil profile and blue metal screenings in the water reservoir. Ideally we would like to have used scoria in the water reservoir. This volcanic material is porous and has an excellent water holding capacity and air filled porosity. However, it is not readily available in Tasmania, and if it is, is very expensive.

    Two large white plastic water storage containers with metal cages are placed outdoors on a brick surface next to a yellow house and a wooden fence, perfect for transforming into wicking beds amid trees and grass in the background.
    A person stands near a white compost bin at the end of a narrow back garden area, with piles of soil, a hay bale, and three coloured rubbish bins beside a wooden house. Raised garden beds sit nearby, surrounded by trees and a wooden fence.

    Before we filled the wicking beds with these materials, we conducted a test to make sure that there were no leaks in the tanks.

    A large metal wire cage with a square shape is placed on a paved outdoor surface. Inside, an empty, rusted metal container—perhaps once used for wicking beds in gardening—sits upside down. Some grass grows near the cage, finding no rest.
    A person with a red beard and cap measures a wooden plank to build raised garden beds, placing it on top of a large white water tank outdoors beside a house and trees.
    A person wearing work gloves attaches a black corrugated pipe to a white elbow joint whilst kneeling on grass, setting up a self-watering system for garden beds.
    A man wearing a cap uses a yellow spirit level to check the alignment of a large white plastic container with a metal frame, which is being set up as a wicking bed for garden beds on the grass outdoors.
    A person with grey hair leans over a large white plastic container with metal framing, pointing at a red circular object inside. The container, placed on grass outdoors, appears to be used for creating self-watering beds.

    Then we shovelled the screenings into the wheelbarrow, tipped them into the tank, returned to the screening pile and shovelled another barrow load. I think you get the picture! There was a fair bit of shovelling involved, but what a great outcome.

    Below you can also see that we placed the slotted agi (agricultural) pipe) at the base of the tank before we poured the screenings over it. This pipe was attached to a drainage pipe positioned vertically to enable Trish to top up the water reservoir as required. We then covered the screenings with a geotextile fabric that will stop the soil migrating into the water reservoir.

    A person in a white wide-brimmed hat and dark clothing uses a spade to move gravel into a wheelbarrow outside a light-coloured house with red trim and a window, preparing the area for garden beds or self-watering beds.
    A person leans over a large, white plastic container outdoors, holding a black hose inside it—preparing wicking beds for gardening. Another person nearby holds a white PVC pipe amid the grass. There’s no rest in setting up this garden project.
    A man and a woman empty a container of small grey rocks into a large white bin outdoors, preparing materials for wicking beds, with a shed and lush garden beds in the background.
    A person wearing gloves and a hat covers a large outdoor wicking bed with a white sheet in a grassy garden, with laundry hanging on a washing line in the background.

    Then comes the ‘soil’. In this case, we used a premium veggie mix which should get Trish’s vegetables off to a good start. Given this is an organic material, and the plants will take up nutrients from it, this soil profile will need to be topped up over time. That is natural. Well rotted compost should do the trick when the times comes.

    Two people are shovelling soil into a wheelbarrow, hard at work gardening in a narrow outdoor space between two buildings. Next to wicking beds, a wooden fence and green bins sit nearby, with trees and bushes in the background.
    A person wearing a sunhat, gloves, and dark clothes stands on grass, using a spade to move soil into a large plastic container—possibly building wicking beds for gardening with no rest in their dedication.
    A person wearing a mask is pouring dark soil from a black container into a large white self-watering garden bed frame outdoors, with green plants nearby.
    A man stands in a grassy back garden with four large white wicking beds filled with soil. There is a shed, a woodpile, and dense greenery in the background.

    After a bit more shovelling, we were ready to wrap the tank with sections of the old paling fence that were able to be reused. Instead of hiding the tank totally behind timber, we integrated the old palings into its structure. I like the fact that you can still see the original tank structure. It is a bit like the Centre Georges Pompidou, the structure is not hidden but forms part of the aesthetic.

    A person wearing a mask, gloves, and cap lifts an old wooden plank from a stack of weathered boards in a grassy back garden, with tools and greenery visible around them—perhaps preparing materials to build new garden beds.
    A person wearing a cap and mask uses a power drill on wooden planks supported by breeze blocks in a grassy garden, building self-watering garden beds, with more old boards and a pile of timber nearby.
    A person works in a garden, placing wooden planks around a raised wicking bed filled with soil. Two similar gardening beds are nearby, and a wheelbarrow loaded with planks sits in the foreground—there’s no rest from gardening.
    A person kneels on grass, assembling a raised garden bed made from a metal frame and wooden panels, using a power drill. The bed is filled with soil and has a white PVC pipe in the centre, ideal for wicking beds that need no rest between plantings.

    To top it off, we then added a layer of pea straw mulch.

    A woman wearing gloves arranges mulch on top of a raised wicking bed made from a repurposed IBC tank frame, in a grassy back garden surrounded by trees and shrubs.
    A woman tends to a raised garden bed made from a large wooden crate, surrounded by three similar wicking beds filled with mulch, in a green back garden with trees and grass.

    Before and after … ready for planting! Stay tuned for more pics of summer vegie goodness

    A sunny back garden with green grass, a wheelbarrow labelled “Sherlock,” gardening tools, wicking beds beside a tree, a washing line with laundry, and a shed with glass windows. White flowers are blooming on the left.
    A back garden with three wooden wicking beds filled with soil and covered with mulch. Trees and a grassy lawn surround the beds, and a person stands on the right edge holding gardening gloves—there’s no rest for garden enthusiasts!.

    And yes, we know that tomatoes are technically a fruit

    A bientôt!

    #veggies #vegetables #veggiegarden #vegetablegarden #vegetablegardening #growyourown #growyourownfood #growwhatyoueat #garden #gardening #ediblegarden #kitchengarden #gardendesign #gardendesigner #sustainableliving #wickingbeds #raisedbeds

  • What’s in the box?

    What’s in the box?

    Do not worry, this is Gabrielle’s (not Pandora’s) box. If you are interested in growing your own vegies, then you may want to take a peek inside.

    By now, most of you have probably cottoned on that this is indeed a box for storing seed. Until recently, I have been storing our seeds in an old food safe in a cool, dry place in the house. This arrangement has worked quite well until now, with the seeds seemingly remaining viable. However, it was getting a little messy in this safe and hard to find the seeds I wanted, when I wanted them. I wanted to come up with a better way to organise my seeds that did not rely on tying a rubber band around groups of seed ordered by seasonal sowing recommendations.

    So, Ludovic and I came up with a little design for a seed storage box. Ludovic sketched various designs until I was happy. He is very patient!

    A line drawing of a rectangular box with an open lid, showing dimensions: length and width are 315 mm, height is 115 mm, and the lid’s length is 150 mm. The lid is hinged at the back and angled open.

    Dimensions of our seed storage box

    During this conceptual phase, we also had to decide on which materials we would use. Eventually, we settled on plywood.

    Label on plywood showing Premium Plywood, 7mm thickness, BC grade, 596mm x 1200mm, with features such as ready for painting and staining and a barcode at the bottom.

    We used plywood to construct this seed box

    Then we got to the task. You can see me below starting to marking out the different sections of the seed storage box that we needed to cut. I did a little bit of the grunt work, but then got distracted on other tasks, so it was left to Ludovic to finish the box off.

    A person wearing a blue jumper and safety glasses marks measurements on a sheet of plywood with a ruler, working outdoors near stacked firewood and trees.

    Me getting busy marking out the dimensions of the seed box

    Et voila! This is the beautiful little creation that Ludovic completed. Ludovic added the hinges to enable the lids to be lifted off without removing them fully. He also included two little straps, one on each lid, to help open them more easily. The observant among you may notice that the lids open upwards, rather than outwards. There is a reason for that, as you will shortly find out.

    A wooden box with a hinged lid and rope handles sits on a windowsill, with trees and greenery visible outside in the background.

    Voila! The completed seed storage box

    Here is a peek into our seed storage box. I have temporarily created dividers with recycled paper. However, I will create something more permanent over time. You can seed a list of each seed type inside the seed box and its likely sowing time. The list continues on the other lid. You may be able to see that I have put those seeds that can be pretty much sown at any time of the year here in my part of Tasmania at the top of the list. For the sowing method, ‘d’= Direct (in the ground) and ‘p’ = Punnet (or whatever container may suit that purpose). I may simplify this list even more over time, but for now I am giving it a go.

    A wooden box filled with labelled seed packets, including one marked Asian Greens, sits on a wooden decking next to a chart attached to the box lid; trees and greenery are visible in the background.
    A printed chart listing various vegetable plants, including their names, types, and planting details, with columns colour-coded in green, blue, and pink, hanging outdoors in sunlight.
    A handwritten label reading Asian Greens in pink marker and F6 in green is attached to the inside of a wooden box lid.

    I have grouped seeds into the following categories. However, we are all different and think about edible plants differently depending on how we use them. So, feel free to come up with your own method of sorting your seeds:

    • Asian greens
    • Beans
    • Beetroot
    • Brassicas
    • Carrots
    • Chillies
    • Cucumbers
    • Flowers
    • Herbs
    • Leafy greens
    • Onions
    • Pumpkins
    • Radishes
    • Salad
    • Swedes
    • Tomatoes
    • Zucchinis
    A printed planting schedule chart in a wooden box lists vegetable species, categories, sowing months, method, and whether to sow, transplant, or harvest from July to December. Sunlight casts shadows on the chart and box.

    Some of you may prefer to use common names. Me, well I have my own style!

    Another thing I did was to write a little code for each category. Can you see the ‘FO’ written on the Asian Greens marker? Well that reminds me that we mostly eat the leaves of Asian Greens, so they can be considered as a foliage (FO) crop for the purposes of crop rotation as follows:

    1. Legumes (LE)
    2. Foliage (FO)
    3. Fruit (FRU)
    4. Root (RO)
    5. Green manure/Fallow – No code for that one. Although I do have some green manure seeds somewhere. Must find them!

    LE – FO – FRU – RO … my new mnemonic for remembering crop rotation.

    I struggle with remembering information at the best of times. So I am always trying to find useful mnemonics to help me. If you have any gardening mnemonics that you think may help me, feel free to share them with us on our Facebook page.

    My next task is to make a database into which I will transfer my plant list from the Excel spreadsheet it is currently kept in. That will make it more easy for me to record information on the plants that we are currently growing, would like to grow, would like to use in our landscape design or just like want to know about them. Currently, I have over 1,000 plants listed in this spreadsheet, so it is getting a little unwieldy.

    As for finding the time to do this, there are other tasks that require our attention. Like starting off those seeds, planting them out and tending to them. Hold on though, I am getting a little ahead of myself. There are three garden beds currently in a half-state of preparation that need a little love before this can happen, as you can see in the picture below.

    View from above of a vegetable garden with raised beds and protective netting, surrounded by trees and greenery, with a wooden seeds box  in the foreground.

    We are busy preparing 3 new beds in the enclosure to plant out our seeds

    So on that note, I will leave the writing for now and head outside to make hay while the sun shines … or something like that!

    A bientôt!

    #seed #seeds #seedbox #plants #garden #gardening #growyourown #growyourownfood #vegetablegarden #veggiegarden #gardendesign #landscapedesign #tasmania

  • Enhancing the greenhouse effect

    Enhancing the greenhouse effect

    We recently built a mini greenhouse to fit on our balcony so that we could get a head start on our summer seedlings.

    Every construction or woodwork project can be thought of as an architectural project, no matter how big or small. I like to use SketchUp to plan my project. SketchUp is a 3D modeling computer program for drawing applications including architectural, interior design, landscape architecture, civil and mechanical engineering, film and video game design. I can draw the project to scale and estimate the materials required.

    Below you can see how I have used SketchUp to develop a design for a mini greenhouse to fit on our north-facing balcony.

    Line drawing of a two-tier plant stand, with rectangular trays on the upper shelf and four round plant pots on the lower shelf, supported by angled legs.

    Concept for our new mini-greenhouse modelled in SketchUp

    After purchasing the materials, I used this sketch to start building the mini greenhouse.

    Two hand-drawn technical sketches of a shelving unit with measurements are placed on a wooden table. Nearby are a pair of pliers, a yellow toolbox, and some scattered water stains on the paper.

    I used 35×70 sections of untreated, non-structural pine certified by the Forest Stewardship Council (FSC) for the frame. After cutting the pieces to size, I stained the timber to fit the aged style of the existing house, and then sealed it with a coat of varnish.

    Several long wooden planks are laid side by side across two wooden saw horses, set on a gravel drive outdoors with trees and brush in the background.
    A wooden workbench outdoors holds stacked planks, a tape measure, a set square, and a green power saw, with gravel ground visible in the background.
    Several pieces of cut wooden timber and rectangular wooden frames are stacked on two saw horses outdoors on a gravel surface, with a traffic cone and other materials visible in the background.
    Several rectangular wooden frames and slats, stained and drying, are propped up on two saw horses outdoors on a gravel surface.

    I then started to assemble the frame using batten screws to have a solid frame, and added the polycarbonate sheet to the front.

    A wooden saw horse standing on a gravel surface outdoors, with a car and another small wooden structure visible in the background. The saw horse appears newly built and sturdy.
    A wooden stand holds three different-sized sieving trays. The structure is set outdoors on a blue tarpaulin, with building materials and trees visible in the background.

    I did not plan the door until the end of the project. I decided to use a good old palette we had in the yard.

    A wooden pallet lies on gravel with two planks, a green power tool, and a yellow spirit level placed on top. An orange safety cone and other pieces of timber are visible in the background.
    A homemade cold frame made of wooden planks and clear plastic panels stands outdoors on two wooden beams, likely for gardening or plant protection. Forest and logs are visible in the background.

    I then covered the rest of the frame and the doors with builder’s plastic and fastened it with staples to the frame. The tip here is to use low force on the staple and to put two staples on top of each other to form a cross to avoid the plastic ripping apart.

    A homemade wooden mini greenhouse with clear plastic panels stands on a porch. Potted plants and trees are nearby, and forested hills can be seen in the background. Sunlight filters through the scene.
    A small wooden glasshouse with transparent plastic panels stands on a porch. The door is open, revealing potted plants and seedlings inside. Sunlight shines on the structure and surrounding greenery.
    A wooden cold frame with transparent plastic panels sits open on a veranda, holding trays of young plants and a pot, with greenery visible in the background.
    A small homemade greenhouse box made of wood and clear plastic sits on a wooden balcony behind a balustrade, with potted plants nearby.
    A small glasshouse with translucent corrugated plastic walls and a slanted roof, allowing sunlight to reach green plants growing inside. The structure is placed outdoors near a building.

    In case it gets too hot inside the mini greenhouse (and it will!), I made it possible to slide both panels on top of the greenhouse to allow hot air to escape. Note though that the middle part is fixed. I used the same railing system sold with the polycarbonate panels and fixed them with small screws. You can see below that the thermometer inside indicates that the internal temperature of the greenhouse was 23 degrees (Celsius) on the day this photo was taken, whilst outside the temperature was only 8 degrees. Even on a cold day, the power of the sun can be harnessed.

    A homemade green house with a transparent, corrugated plastic top sits on a wooden decking, surrounded by plants and greenery in the background.
    A wooden planter box with a transparent plastic cover, partially open to reveal green plants inside, is placed on a veranda overlooking a grassy area and trees.
    Close-up of the corner of a clear corrugated polycarbonate sheet, with sunlight highlighting its texture and internal channels. The background is blurred green foliage and wooden surfaces.
    A close-up of a glass thermometer showing a temperature reading of about 22°C, with sunlight and a blurred outdoor background visible through a window.

    That’s it, here the final result. We have put in our first batch of seedlings and cannot wait until we can transfer our tomato and other summer vegie seedlings from our heat pad set up indoors to this mini greenhouse. But more on that later. In the meantime, we cannot wait for the end of winter so we can get these seedlings into the ground.

    Young green seedlings growing in trays inside a small wooden greenhouse with sunlight shining through clear plastic panels. The seedlings appear healthy and vibrant.
    Young green lettuce plants growing in soil inside a greenhouse, with sunlight streaming through clear, ribbed plastic panels in the background. The leaves are fresh and vibrant, catching the sunlight.

    I hope this may inspire you to create your own mini greenhouse. If you have any questions or photos of your own greenhouse projects, feel free to share them with us on Facebook.

    #greenhouse #plants #garden #gardening #gardeners #gardenlife #gardeninglife #growyourown #growyourownfood #homegrown #vegetablegarden #woodwork #woodworking #tasmania #northerntasmania

  • The upper crust

    The upper crust

    How does the heat pad we use to germinate seed also help us to make the most beautiful homemade bread?

    This is a story all about bread, yet it starts with a device associated with gardeners, not bread-makers. Yes, the humble heat pad. This is an essential item in our home for germinating seed, especially when we try to get a head start on summer crops like tomatoes. And without it, I just would not be able to make bread. Any bread maker who lives in a cold house needs a heat pad! Actually, you will need two other things: a cast iron pot with a lid and time. Bread-making is not a quick process. So gardeners, if you are looking to get more value out of your heat pad, bread-making may just be it!

    A black rectangular heat pad labelled Mr Fothergill’s HEATPAD with instructions for seed raising and plant propagation, placed on a green and white chequered surface.
    A black cast iron casserole dish with its lid off rests on a green and white checked tablecloth, next to a dark wooden chair.

    I will not go through every step involved in making bread from scratch. This is just a quick walkthrough. I have listed some links at the end if you want to know more. For the sourdough starter, you can make it yourself or, my preferred option, ask your local baker for a little bit. After that you are all good to go.

    To keep the sourdough starter alive, you cannot make it more simple. Mix a equal portion of sourdough, water and flour. Easy! And guess what, you do not have to feed it every day. When you are done, give it a last feed when it is active and stuck it in the fridge. You will always be able to resuscitate the starter even after a few months. The starter may be a bit slow, so feed it a few times and do some cooking again, again, and again.

    A glass jar with a small amount of white liquid at the bottom sits on a checked tablecloth. A red square label is attached to the lower outside of the jar.
    A glass jar containing a creamy white substance sits on a green and white chequered tablecloth, with a faint plant visible in the blurred background.

    Here you can see the sourdough going from small to big in 2 feeds just 24 hours apart.

    When the sourdough is active, this is the time to start to mix the ingredients for making bread. You need to follow what we call ‘Baker’s percentage’. For my bread, I use these percentages:

    • 100% flour
    • 75% to 80% water
    • 20% sourdough
    • 2% salt

    I use 1 kilogram of floor (600 grams white and 400 grams wholemeal). Therefore, I add 750-800 grams of water, 200 grams of sourdough starter and 2 grams of salt. Sorted! Mix all the ingredients roughly and let it rest for an hour on the heat pad.

    Remember … the heat pad is the secret weapon to success here!

    A metal mixing bowl with bread dough inside sits on a digital kitchen scale atop a green and white checked tablecloth.
    A bowl covered with a red and white chequered cloth is sitting on a black warming pad atop a green and white chequered tablecloth.

    After that period of rest, you then knead the dough. The dough will be sticky and messy. However, do not give up! After ten minutes of kneading, the dough should be all right (mate!). Another tip, use a scraper in one hand and think of it as a non-sticky hand.

    After the kneading, fold the dough into itself every half an hour for 3 to 4 hours, then let it sit for another 3 to 4 hours. During this time, place the dough back on the heat pad when you are not working it. This is when the magic happens. Watch the dough start to double in size.

    It is now time to shape the dough. Cut it in two pieces and fold the dough into itself. Do not go too hard; you want to keep the fluffiness and airiness of the dough. Make it a nice ball and put it in a shaping basket which you have lightly dusted with flour first. You can buy a specially made shaping basket or just use any bowl. If using a bowl, and not a shaping basket, place a dry towel inside it first to prevent the dough sticking to it during this time. Do not be shy with the flour because you do not want to ruin your work with the dough sticking to the basket. And if you like, add some sesame seeds for the perfect loaf. Roll the dough in a plate with these seeds.

    After this, the dough will undergo a second fermentation. I like to put it in the fridge for a night or two. Or wait another 3 to 4 hours.

    And the last part: the baking. Take the dough out of the fridge a hour before you want to bake it. In the meantime, place the cast iron pot in your oven which you have turned on full blast, as high as you can. After that, score the dough with a sharp implement. Any razor blade will do. Do not use a knife if you want a clean cut. Have fun with it, it is a baker’s signature. When people were baking in the oven of the village, this is how they recognised their bread, i.e. by their markings.

    Put the bread in the cast iron pot for 20 minutes with the lid on and then another 20 minutes without the lid. And voila! Your bread is baked! And it has the most beautiful crust that you could imagine, thanks its time in the heated cast iron pot.

    This bread can be kept in a cool, shady cupboard for up to one week. That is, if nobody eats it first!

    A round loaf of rustic bread, cut in half, sits on a wooden chopping board atop a green and white checked tablecloth. The bread has a crisp, browned crust and an airy, textured interior.

    Enjoy!

    Here are two very useful links that have helped me a lot in my bread-making journey.

    https://www.ilovecooking.ie/features/sourdough-bread-masterclass-with-patrick-ryan

    #levain #breadmaking #bread #sourdough #breadbaking #baking #sourdoughbread #breadlover #homemade #homemadebread #food #artisanbread #realbread #bakery #foodphotography #sourdoughbaking #wildyeast #breads #sourdoughstarter #homebaker #baker #homebaking #gardener #gardening #garden #gardenlife #nature #gardens #growyourown #growyourownfood #vegetablegarden #gardeners #homegrown #propagation #germination

  • Late bloomers

    Late bloomers

    If you have been wondering what has happened to your tomato crop this year, you are not alone! I have heard many anecdotes that the tomato harvest has been poor both here in Tasmania and on the mainland. Our story is no different. However, we have had a little glimmer of hope this week

    Rows of green, leafy plants staked with wooden poles grow beside a dirt path, with netting overhead providing shade in a garden or greenhouse setting. Sunlight filters through the netting.

    Tomato, tomato? Wherefore art thou?

    You can see a lot of leafy growth here. Perhaps I have overdone the nitrogenous fertiliser. I pruned these plants quite hard last weekend to open them up. But where are the tomatoes? There are flowers, but I would hardly describe these plants as floriferous. I really should have applied some potash to help out here. You have to get done on your hands and knees to see any fruit.

    Tomato plants with green and red tomatoes growing beside a wire fence, with cardboard sheets covering the ground and sunlight casting shadows in a garden setting.

    There they are! Those ripe tomatoes will not hide from me any longer

    We grow cool climate tomato varieties as most of you probably do here in Tasmania. The first plant this season to produce ripe fruit is a variety called ‘Stupice’. My neighbours gave me a plant a couple of years ago, telling me that it is a reliable cropper for them. One of the best gardening tips I can give to you is that if you want to know what you can grow in your garden, find out what is growing well in your neighbours’ gardens. Of course, there will always be some differences between gardens, e.g. building overshadowing a patch. However, this is a pretty good rule of thumb. So, I am not surprised that this potato-leafed tomato was the first to ripen this year.

    A cluster of tomatoes on the vine, with one ripe red tomato shaped like a heart next to several unripe green tomatoes, surrounded by green leaves in sunlight.

    Stupice: You little beauty! And the Thai Basil flower in the background is pretty good too

    That said, as of Sunday, 21 February April, our tomato harvest stood at 2 tomatoes weighing a total of 52 grams.

    Two red tomatoes are placed on a digital kitchen scale with a geometric pattern. The display on the scale reads 52 grammes.

    I am optimistic we will harvest more tomatoes. Not sure how many though!

    The season’s weather has been all over the shop, excuse the vernacular. There has been a lot of rainfall recently but in huge downpours rather than gentle showers. In the last fortnight, we have had two rainfall events, one equalling 84 mls in less than 12 hours, and the other 54 mls in a similar time period. Daily temperatures have been uneven also.

    According to the Missouri Botanical Garden, daytime temperatures over 32 degrees C and/or night-time temperatures below 12 degrees C will diminish pollination in tomatoes. High humidity creates sticky pollen which does not transfer well. We have had wonderful warm weather this weekend. However, it does not look like these conditions will last long, looking at the Bureau of Meteorology’s MetEye local forecast app. MetEye provides detailed 7-day wind, wave, rain, and weather forecast maps for boating and farming for all locations across Australia. This is a wonderful tool. If you don’t already use it, get onto it.

    Anyway, summer in Liffey appears to have been a sporadic event this year.

    Screenshot of the Australian Bureau of Meteorology MetEye website showing a 7-day weather forecast for Lifey, TAS, with icons for sun, cloud, and rain, temperatures, and wind details visible for each day.

    Where is summer?

    I am not going to wipe off the 2020 harvest yet! Last year, we picked tomatoes up until mid-April. And there are tomatoes on our plants. However, those bottles we have washed and ready for sauces will have to wait a lot longer by the looks of it.

    How is your tomato crop going this season? Share your stories with us on Facebook.

    If you want to know why your tomato plants performed differently this year, come along to the Tasmanian Garlic and Tomato Festival in Selbourne on Sunday 21 March 2021. Annette and Nevil Reed from Tasmanian Natural Garlic and Tomatoes will be conducting tours of their farm, talking about how this season went along the way. Nevil will also be one of our guest speakers at the Q&A Panel, along with Tino Carnevale from ABC TV’s Gardening Australia and Rees Campbell, author of Eat Wild Tasmanian.

    I hope to see you there.

    A bientôt!

    #gardening #tomatoes #tasmania #tasmaniangarlicandtomatofestival #localproduce

  • ‘Currant’ flavour of the month

    ‘Currant’ flavour of the month

    Sometimes the best plants are those that you do not have to grow yourself!

    Living on a bush block in northern Tasmanian, we are lucky to be surrounded by native plants, including some edible species. Take the Prickly Currant Bush (Coprosma quadrifida) for example. This plant is one of several edible coprosma species in Tasmania. Luckily for us, it is growing abundantly where we live and is currently fruiting. So, I decided to set out on a little harvesting expedition yesterday.

    Whilst out harvesting, I only wanted to find the female Prickly Currant Bushes. This species is dioecious. Put simply, that means that these bushes either have only female flowers or only male flowers, i.e. different sexes. Given I wanted to find fruit, I needed to find female plants. And I want to know where they are for next year too. The block we live on is 70 acres so you can get lost if you don’t know where you are going. So, I decided to take along a GPS to record the locations of the female plants, i.e. those I picked the currants from.

    A person wearing a hat, red shirt, and dark trousers stands in a sunlit forest, holding a metal container and looking at GPS, surrounded by green trees and undergrowth.

    Here I am recording this female plant as a Waypoint on a GPS so I can find it next time

    I was fairly prepared for this task, or so I thought. I had a sunhat on, a big pot strapped around my waist for fruit to fall into (not attractive, but very practical), and gloves to protect me as I picked the fruit. It’s not called the Prickly Currant Bush for nothing!

    Readers: There was one thing that I forgot to consider. Can you think what that was? (Answer below this image).

    A person wearing a wide-brimmed hat, red shirt, gloves, and a metal container around their waist collects samples from a bush in a forested area on a sunny day.

    Harvesting the currants. Gloves are a must! And long sleeves too as I have now learnt. It is not called Prickly Currant Bush by some for no reason!

    Yes, a long-sleeved shirt!

    I ended up with a few scratches on my arms. Nothing major. However, I also saw lots of little spiders and other insects. Next time, I will wear long sleeves. It also pays to pay attention to where you are walking. Snakes are out and about at the moment, so if you want to go out harvesting these currants, make sure you are safe. If you have gators, wear them.

    A person drains water from a metal bowl filled with red berries and leaves into a kitchen sink, with sunlight coming through a nearby window.

    Cleaning the currants – first stage

    Back at the house, I then had to clean the currants. The first layer of inedible debris came off quite easily by allowing it to float to the top of a container in which the currants were soaked in water. Obviously this matter was lighter than the currants. Yep, a free science lesson as I am that way inclined today! In the end I resorted to sorting other flotsam and jetsam by hand as it did not want to separate out easily in the water. For example, immature/unripe fruit. That took a little time, but the final result was worth it.

    All 759 grams of currants!

    A wooden bowl filled with small dark berries sits on a digital kitchen scale reading 759 grams, placed on a granite worktop with kitchen items in the background.

    All that work and only 759 grams harvested! We will just have to savour the flavour 🙂

    This small harvest may not seem like a big deal. However, I am stoked that we were able to find so many currants so close to home. I only ventured 200 metres from the house. There are many more plants around, so I think I will go out next weekend too. However, I will remember to leave some fruit on each plant for the wildlife to enjoy.

    A wooden bowl filled with dark red berries sits in front of a ceramic container labelled UTENSILS and a stone mortar and pestle, on a kitchen worktop with various utensils in the background.

    Native currants ready to eat!

    Now what to do with these currants? Rees Campbell, local author aka The Feisty Tasmanian, has a recipe for Bush Berry Pie on page 131 of Eat Wild Tasmanian. I might adapt that recipe to make it plant-based, i.e. sans eggs or cream. I am not sure how that will work! Otherwise, we will just eat them fresh by the handful. Ludovic made a sauce using these currants last year. However, that takes a bit more work removing the seeds from these small fruit (5-10mm diameter). We need a more heavy duty strainer to be able to tackle this task.

    Did you know that there are over 150 edible native plants growing on this island? !f you want to know which species are edible and how to use them, then I highly recommend you pick up a copy of Rees’ book. Also, come along to the Tasmanian Garlic and Tomato Festival in Selbourne on Sunday 21 March 2021. Rees will be conducting two workshops and a cooking demonstration where she will describe some of the more useful plants, how to grow, harvest and cook with them.

    A woman with short grey hair and glasses smiles whilst holding up a cookbook titled Eat Wild Tasmania in a bright kitchen.

    Rees Campbell seen here with her book ‘Eat Wild Tasmanian’ (Image: www.feistytasmanian.com)

    I got involved in the Tasmanian Garlic and Tomato Festival as I just love garlic and tomato and cannot imagine life without them. Anyway, more on that in my next blog. I am going to take some time out for ‘afternoon tea’ and enjoy some of these beautiful currants.

    A bientôt!

    #gardening #bushtucker #nativeplants #tasmania #localproduce #feistytasmanian #tasmaniangarlicandtomatofestival #discovertasmania

  • Making of a Jewel

    Making of a Jewel

    A digital artwork of a potted plant, with half of the plant depicted in realistic colours and the other half as a wireframe model, showcasing a blend of 3D modelling and realistic illustration.

    Recently I have been working on my 3D skills. I would like to show you the process that I take to develop each of my 3D models, using the example of one of the most amazing plants I have seen. This plant is Macodes petola, also known as the Jewel Orchid. Nature is amazing! I am always surprised by the form and shape you can find in it.

    A collage of images showing jewel orchids with green leaves and bright yellow veins, including close-up photos, potted plants, and vintage botanical illustrations.

    First of all you need to find some reference images. I recommend the free program PureRef. Just drag and drop any images from the web or your computer and organise your own pin board.

    After that you can start modelling in 3D. I use Blender, a fully open-source 3D software as it is as powerful as most of the commercial programs.

    A 3D modelling software interface displays a leaf model; one leaf is shown with a wireframe mesh, while two others display detailed vein textures. Various modelling tools and settings are visible around the workspace.
    A 3D modelling software interface shows three wireframe spoon models from different angles, with tool panels and options visible on the right and top sides of the screen.
    A computer screen shows a 3D modelling software interface with a wireframe model of a plant, featuring several large leaves. The workspace and tool panels are visible around the model.
    A collage of five decorative bowls, four of which have small sculpted feet as bases. The bowls vary in colour and material, including red and brown clay and a decorated metallic bowl.

    You now need a pot for your indoor plant. And a special plant needs a special pot. I found this old pot with human feet made by the Egyptians in the Predynastic Period (ca. 3900–3650 B.C)

    I then modelled the pot using the same process that I used for the plant itself, i.e. in Blender.

    A 3D modelling software interface displays a red clay-style bowl with two cartoonish feet. Various toolbars, menus, and editing panels are visible on the sides of the workspace.
    A 3D modelling software interface shows a partially sculpted red-brown character with a bowl-shaped upper body and two animal-like legs and feet, displayed on a grid background. Various tool panels are open on the sides.

    When you have completed your 3D modelling, you can start the really fun part: texturing. Let’s bring life to the clay. For this you need to unwrap your 3D shape on a flat surface because the textures are in 2D. Then you can ‘paint’ the shape with the texture you want.

    A computer screen shows a 3D modelling software with a leaf model on the right and its UV map layout with highlighted edges and green textures on the left. Software tool options are visible on the right side.
    A 3D modelling software interface displaying a UV map of a circular object with grid lines on the left, and a textured 3D model of a round stone pedestal on the right, along with modelling tools and settings.
    A 3D modelling workspace in Blender shows a textured model of a round, footed bowl resembling animal legs, with green moss or algae inside. Various editing panels and tools are visible on the screen.
    A 3D modelling workspace in Blender shows a plant model with green wireframe-highlighted leaves. Various editing panels, tools, and settings are visible around the main viewport.

    And finally we come to the rendering part. This is when you take a picture of your finished model and incorporate it into an environment that you like with appropriate lighting. For this render, I chose to put the plant on a stand in a museum.

    A small green plant with patterned leaves in a dark brown, foot-shaped pot sits on a black plinth against a dark background with wooden flooring.
    A potted plant with green leaves featuring white patterns is placed in a brown, round pot shaped like an animal with four legs, displayed on a plinth against a plain white background.
    A potted plant with large, glowing green, vein-patterned leaves sits in a round brown pot designed with two feet, displayed on a plinth against a dark background.
    A close-up of a plant with three glowing green leaves featuring intricate vein patterns, set against a solid black background. The image has a bright, almost neon effect with a small logo reading Inwardout Studio in the corner.

    And the good thing with 3D plants is they don’t need too much care, they are living in the cloud.

    https://cc553bc7-bdf6-4be5-91fe-23e4cbc251ef.usrfiles.com/html/2b2e4b_d767b483cae16e027c4ea8ac7906fbf4.html

    #blender #3Dmodeling #3Dplant #macodespetola #jewelorchid #indoorplant

  • Poly tunnels on a budget

    Poly tunnels on a budget

    Last week, on a beautiful Saturday morning, I drove 20 minutes north-west of Launceston to attend a workshop on Poly Tunnels. It took place at Tasmanian Natural Garlic & Tomatoes, Nevil Reed’s farm in Selbourne. Nevil grows hundreds of varieties of tomato in his poly tunnels.

    A plastic-covered polytunnel with open doors, showing plants and containers inside. Two people stand outside on the grass under a clear blue sky. Trees and a green building are visible in the background.
    A group of people stand outside a large glasshouse with a plastic covering, observing and taking notes on a sunny day with a clear blue sky and trees in the background.

    Nevil has been researching, designing and building poly tunnels for the last nine years. His tunnels are all low cost, durable designs, aimed at mitigating against a variety of weather extremes.

    The main reasons why you would like to build a poly tunnel is that you can extend your growing season, have better fruit earlier and longer, and also be able to grow more varieties of plants. On the other hand, because of the closed environment you will create, a little problem in your garden can become a big problem inside the poly tunnel. So you will have to monitor what happens a lot more and react a lot quicker.

    There are a lot of different possibilities when it comes to choosing the kind of construction that you want. Like anything, cost is the big issue and also the durability of your construction. Do you want post and concrete in your garden? In any case you will have to brace your structure.

    A large white glasshouse with a rounded roof stands on a grassy field under a bright blue sky with scattered clouds. Trees are visible in the background.
    Inside view of a polytunnel with plastic covering, arched metal supports, and raised soil beds with plants growing along the centre. Sunlight filters through the translucent roof.
    A row of large, white, arched polytunnels stands on a grassy field under a clear blue sky, with trees visible in the background.
    A plastic-covered polytunnel stands on green grass under a clear blue sky, with trees visible in the background.
    A large, white, plastic-covered polytunnel stands on a grassy field under a clear blue sky. An orange traffic cone and a small bucket are on the grass near the entrance.
    A person adjusts the support structures of a transparent greenhouse tunnel, which covers rows of green plants on a sunny day with clear blue sky and surrounding trees.
    A large, white, dome-shaped glasshouse structure stands outdoors on green grass, with a clear blue sky above. The glasshouse is secured with ropes and has some plants visible inside at the top.
    Close-up of a blue and white rope tied in a knot around a green metal post, securing a sheet of clear plastic. The ground is covered with green grass and clover.

    First thing to consider is the plastic. It needs to be UV stabilized and light enough to work with. For the thickness, choose 180UM instead of the 150UM. You do not want clear plastic. The more the light is diffuse, the better (70% to 80% is fine).

    You also have to choose between poly or steel for the arches. The advantage of the poly is this is easy to bend and work with. If you choose to go for a tunnel with post, the steel will be the way to go. In a more lighter version using the poly, Nevil recommends using steel at both ends and tightening all the hoops at the ridge for better stability.

    A blue and yellow rope tied around a large black pipe with green stripes, set against a clear blue sky.
    A person stands in a garden with metal arches and rows of plants, adjusting or inspecting the structure. Two polytunnel greenhouses are visible in the background, set against a clear blue sky and trees.

    The temperature inside a poly tunnel can be very high. Being able to control the air flow when needed is crucial. The side of the tunnel needs to be open almost every morning. The higher your tunnel, the easier it is to control the temperature inside the poly tunnel.

    A side view of a greenhouse with clear plastic sheeting, wooden supports, and a metal pipe; leafy green plants are visible both inside and outside the structure under bright sunlight.
    A view from inside a greenhouse with a partially open roof vent, showing clear plastic panels and a tomato plant with yellow flowers reaching towards the opening. Blue sky is visible through the vent.
    A person adjusts the plastic covering on a polytunnel in a sunny outdoor garden, with green grass and trees visible in the background.

    If you feel uncomfortable inside the poly tunnel, most likely your plants will too!

    There is a lot more to say on this topic. If you have any questions or are interested in attending a similar workshop, please contact Nevil directly.

  • All hail ‘l’ail’!

    All hail ‘l’ail’!

    Good news from our little ‘prison farm’. The garlic has sprouted!

    Close-up of a green plant shoot growing in soil, seen through a blurred wire fence with a hexagonal pattern. The background is out of focus, emphasising the wire and the plant.

    “Let me out!”. “Not until December, although with good behaviour, we may consider your release in November.” (Sounds like someone has started talking to the plants!)

    We were a little delayed in actually planting our Allium sativum bulbs. They only went into the ground on 1 June 2018. With the cooler temperatures here in Liffey, we probably could have planted them in later April, early May. More time to store that precious sunlight energy before harvesting the cloves in November or December.

    Fingers crossed we will have enough garlic to harvest to get us through one year of consumption. We put fifty bulbs in. So if each bulb grew into a clove containing ten bulbs, then we could potentially produce 500 bulbs of garlic!

    A fenced garden bed with young green shoots emerging from the soil, some larger leafy greens growing on the left, and wire mesh fencing surrounding the garden for protection.

    The garlic is sprouting next to its close cousin, the leek (Allium ampeloprasum). Both the leek and the silverbeet (Beta vulgaris ‘Fordhook)’ have survived throughout summer and are still with us in these cool temperatures.

    Now you are probably wondering why the ‘high security’? What did these poor little buggers do to deserve such harsh treatment. Well it is for their own protection of course (isn’t that what they always say in the movies?). We have quite a few native and introduced animals seeking a free lunch here. Usually we just see wallabies, echidnas and wombats, although there are possums and rats about. Not to mention the deer. Oh dear!

    Last Monday we spotted seven juvenile deer prancing on the lawn at the bottom of the hill below the house. With their hard hooves, I want them well away from our lightly-tilled soil. And with their voracious appetites, I am not game to see whether or not they like garlic. I do!

    Four deer run across a grassy clearing surrounded by trees and shrubs, with fallen branches visible on the right side of the image. The background is dense with greenery and forest vegetation.

    Bambi and co … not so cute in the vegie plot!

    I clearly prefer garlic to Bambi. That won’t change anytime soon I am afraid. So the garlic will have to stay caged up until its release later this year. I can’t wait. I love the stuff. I just hope we will have enough to get us through the next year. Although between myself and the Frenchman, we do use more than just a little bit in our cooking.

    Anyway, there is still a little time until harvest. So I don’t want to get ahead of myself. Fingers crossed we have a bountiful supply. If not, there is always the local farmers’ market.

    Jusqu’à la prochaine fois!

    PS. L’ail is French for ‘the garlic’. In the proper sense of translation, not as in ‘Yoplait is French for yogurt’.

  • Growing great garlic!

    Growing great garlic!

    I headed out yesterday desperately seeking garlic. No, Tasmania had not suddenly been invaded by vampires. I had received notice that Jenny Edlington was selling what she calls “seed garlic” at the Liffey Valley Market.

    Now technically the garlic cloves we plant to produce new garlic bulbs are not seeds. However, I won’t quibble with Jenny on that one. For $15.50 I picked up four top-notch garlic bulbs from Jenny. If this may seem a little expensive to you, just remember that each clove can potentially produce a whole new bulb with between 10-15 cloves … if treated right!

    A mesh bag containing several garlic bulbs sits on a green and white checked tablecloth. A white price tag attached to the bag displays the number 1550 in blue ink.

    Yummy, locally-grown garlic! But not for eating now 🙁 (© Ludovic Vilbert)

    So how do you look after garlic? Jenny shared her tips with us, with a little elaboration from me:

    1. Prepare the growing bed first.

    Garlic does really well in well-drained soils rich in organic matter .Jenny and many other garlic growers recommend incorporating a layer of mushroom compost five to ten centimetres deep into the top few inches of soil. No, this is not compost made from mushrooms, as I must admit I first thought! It is a sterile mix usually prepared for growing mushrooms in. Mushroom compost is generally made from a mixture of straw, peat moss, gypsum, lime, cottonseed meal, cottonseed hulls, corncobs, cocoa bean shells, chicken litter and/or horse stable bedding.

    2. Choose garlic bulbs with large cloves.

    More stored energy to help produce those new bulbs!

    3. Plant when the season changes to much cooler nights, usually April to May.

    In Melbourne you will probably have to wait until May, but here in Tassie some of us can look forward to cooler temperatures just a little earlier! So hence why I am getting my garlic bed ready now for planting in a few weeks.

    4. Separate bulbs immediately prior to planting and plant basal end down ten centimetres deep, twenty centimetres apart in raised beds.

    The basal end is the flattened end of the bulb where the roots will develop from. Now I have grown garlic a little closer together than twenty centimetres, more like ten centimetres apart and had success. However, if you really want a plant to thrive, you do need to give it room to grow.

    Illustration of hardneck garlic with labelled parts: umbel capsule, scape, spathe, neck, bulbils, flower stalk, garlic bulb, bulb, roots, clove, skin, and garlic clove.

    NB. See the basal plate at the bottom of the garlic clove. This is the bit you “stick” into the soil (© University of Alaska Fairbanks)

    5. Mulch with straw.

    Prevent weeds growing that may compete with the growing garlic for resources.

    I am so glad to have met Jenny at the Liffey Valley Market. She has so much experience and knowledge of how to grow fruit and vegetables here in this cool climate. And Jenny is not the only local grower selling excellent fresh produce at this market. These markets are very precious as they provide not only the opportunity to purchase great produce, but also the chance a chance for locals and visitors to get together, have a yarn and share their growing tips. Priceless! But more on the market another time!

    For now, I have a bed to prepare!

    Next Liffey Valley Market: 9am–1pm, Saturday 14 April 2018, 1443 Liffey Rd, Liffey TAS 7301.

    (Look for the old schoolhouse on top of the hill as you turn right from Bracknell Rd)

    Harvesting garlic? More on that later too. Don’t expect to do that until November/December. Like a great wine, it needs time to develop 😉